Paintings

Every case begins with meeting the client and viewing the work in question. Aims and methods are discussed and then I supply a written estimate.

Cleaning

After initial tests, surface dirt is carefully removed from the painting.

Mould can be treated and removed.

Degraded and darkened varnishes can be thinned or removed

Examination under ultraviolet light helps detect and determine types of varnish and areas of previous restoration

Cupping, lifting or flaking paint is consolidated using an appropriate consolidant and sometimes a heated spatula.

Tears are repaired by re-weaving and adhering broken threads where possible.

Holes can be repaired by patching or, in extreme cases, relining.

Photographs reproduced by kind permission of the Master, Fellows and Scholars of Pembroke College, Oxford

Areas of loss or very deep craquelure are filled using gesso.

Fills are textured to match surrounding areas when needed.

Paintings are varnished to restore depth and luminosity and then retouching is carried out. A final spray varnish is usually applied.

A full report with photographs is produced for each painting.

A portrait before treatment

The portrait after cleaning, consolidation of flaking paint and the repair of a small tear.